Dark Fear, Eerie Cities : New Hindi Cinema in Neoliberal India
By: Paunksnis, Sarunas.
Publisher: New Delhi Oxford University Press 2019Description: xi,172p.ISBN: 9780199493180.Subject(s): Motion pictures -- Realism in motion pictures -- IndiaDDC classification: 791.430954 Summary: Dark Fear, Eerie Cities analyzes a film form that began to emerge in Hindi cinema in early 21st century - a form that is marked by realism, by focusing on urban life and culture of the new middle class, as well as pessimism, violence, fear and the presence of the 'other' in many forms. The author locates new cinematic developments in a much broader context of sociocultural change in contemporary India, and traces the roots of imagining India 'darkly'. The book looks at the new Hindi cinema from different angles and through analysis of crime thrillers and horror films aims to answer some fundamental questions, Why is there so much of pessimism?; What impact does neoliberalism have on the city and cinematic representations?; Why does the darkness, actual and metaphorical, proliferate?; What haunts the city, and why?; Why is the city so dark and eerie?; And what is the relationship between fear and violence on screen and the actual "dark side" of urban life, crime, insecurity one may feel while living in a metropolis, physical insecurity as well as a psychological, one of competition, a desire to succeed and to belong to 'global India'.| Item type | Current location | Call number | Status | Date due | Barcode |
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NASSDOC Library | 791.430954 PAU-D (Browse shelf) | Available | 50944 |
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| 791.430914 FRO- Frontiers of South Asian culture : | 791.430954 BAJ-O On & behind the Indian cinema / | 791.430954 BAR-S Social Importance of Assamese Cinema in Perspective / | 791.430954 PAU-D Dark Fear, Eerie Cities | 791.430954 PRA-S Shadow Craft : | 791.430954 RAG-S Seduced by the familiar: narration and meaning in India popular cinema | 791.430954 RAJ-I Indian cinema in the time of celluloid: from bollywood to the emergency |
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Dark Fear, Eerie Cities analyzes a film form that began to emerge in Hindi cinema in early 21st century - a form that is marked by realism, by focusing on urban life and culture of the new middle class, as well as pessimism, violence, fear and the presence of the 'other' in many forms. The author locates new cinematic developments in a much broader context of sociocultural change in contemporary India, and traces the roots of imagining India 'darkly'. The book looks at the new Hindi cinema from different angles and through analysis of crime thrillers and horror films aims to answer some fundamental questions, Why is there so much of pessimism?; What impact does neoliberalism have on the city and cinematic representations?; Why does the darkness, actual and metaphorical, proliferate?; What haunts the city, and why?; Why is the city so dark and eerie?; And what is the relationship between fear and violence on screen and the actual "dark side" of urban life, crime, insecurity one may feel while living in a metropolis, physical insecurity as well as a psychological, one of competition, a desire to succeed and to belong to 'global India'.
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